The company includes Siobhan Phelan, Enya Higgins, Jade Judge Ryan, Zoe Talbot, Michaela McBride O’Donoghue, Cara Flannagan Walsh, Emily Hunt O’Reilly, Seoda Wang, Chloe Kenna, Laura-Jane Leggett, Daragh Roddy, James Fox, Scott Judge Ryan and Éamonn Smyth.

Local talent shines in a moving tribute to Irish women in history

Mná na hÉireann is a powerful and thoroughly enjoyable production, bringing together world-class Irish dancing, outstanding live music and stunning visual effects to tell the stories of the women like Countess Markievicz and others who helped shape modern Ireland.

There’s a special local connection for audiences from Cavan and Monaghan, with Enya Higgins from Mullahoran and Laura-Jane Leggett from Denn/Crosskeys among the brilliant dancers. Enya, one of the lead dancers, portrays Nurse Elizabeth O’Farrell, who carried the surrender from Pádraig Pearse following the 1916 Rising. Her graceful solo with the white flag is a particularly lovely moment, bringing the first half to a delicate close. Monaghan’s Declan Gorman, writer, actor and director, also plays an important role as dramaturg.

Created by Carol Leavy Joyce, the dancing is exceptional, full of energy, precision and emotion; while Áine McGeeney’s original musical score is a real highlight. The live musicians add enormously to the atmosphere, providing a soundtrack that drives and lifts the production.

The setting of the Ambassador Theatre on O’Connell Street adds another dimension. Sitting just a short distance from the GPO, at the heart of the 1916 Rising, it feels especially fitting to see these stories brought to life so close to where history unfolded. The impressive projected graphics and backdrops further enhance the production, providing some context and transporting the audience through the events and emotions of the time.

The big dance finale is exhilarating, but one of the most poignant moments comes with the execution of the Rising’s leaders at Kilmainham Gaol, accompanied by the haunting song Grace. It’s hard not to be moved.

A little knowledge of Irish history certainly helps to appreciate all the stories, though the audience is helped along by some narration. One minor drawback: From some seats, at times, it was difficult to see the dancers’ footwork. These are minor flaws, however, in what was an otherwise outstanding show.

Mná na hÉireann is a wonderful blend of dance, music and storytelling, bringing forgotten women back into the spotlight.